Showing posts with label Worship. Show all posts
Showing posts with label Worship. Show all posts

Friday, September 23, 2011

Hiding From The Lord

In Genesis 3, verse 8 says, “They heard the sound of the LORD God walking in the garden in the cool of the day…” Adam and Eve have fallen into sin, they are uncomfortable before each other, they have covered themselves up, ashamed of their sin, the devil had deceived them; and then they heard the sound of the Lord walking or another way to interpret the Hebrew is they heard the voice of the Lord God going forth in the garden in the wind or the cool of the day. They heard God, God was present among them, He was coming to fellowship with man, to be with man, the very presence of God. The Lord God who created them was now a threat to them. These loin coverings which in their minds could cover themselves up from being uncomfortable before each other, these won’t work with God. Not to hide the guilt and the shame and the sin for God sees all and knows all.

“They heard the sound of the LORD God walking in the garden in the cool of the day,and the man and his wife hid themselves from the presence of the LORD God among the trees of the garden.” They hid themselves among the trees of the garden, hiding from the presence of the Lord God. They don’t hide from God behind their loin cloths, now they hide behind something a little bigger, some trees. They are hiding from the God who has created all heavens and the earth, the universe. The God who has existed from all eternity, from the smallest particles to the greatest stars; God knows all and sees all. In the time of Noah, He describes all that He sees; for He said, “every intention of the thoughts of man’s heart is evil continually.” He knows and sees not only the material physical things, but even all those things which are immaterial and spiritual; He knows every single thought and intention of every single person at all times. He is a big God, and Adam and Eve are trying to hide from Him.

You see verse 9, “Then the LORD God called to the man, and said to him, ‘Where are you?’” It isn’t as if God didn’t know, but He is speaking down to man like a baby, like a child. Picture the scene, you are playing hide and seek with your child, and they go out into the back yard to hide and they hide behind a tree, and you come out looking for them, and you can see part of the body sticking out from the tree, very easily seen. You call out “Where are you?” That’s sort of the picture here, except God already knew, He didn’t have to look at all, He is infinitely wise. What we need to see here is that Adam and Eve are trying to hide from God. That is the response of sinners to the presence of God. We hide, we want to get away. For us, that doesn’t necessarily happen with a loin covering or with a tree, but in other ways.

For the world, the scientist will look out at the creation, which declares the glory of God and His handiwork, and they attribute it against all their knowledge, against everything that tells them otherwise, even against science itself, and they say it came from a big bang. They hide behind their faulty science, which is still an unproven theory. They hide behind a false theory. What about celebrities, they hide their sin and the truth about themselves behind their success. That despite many moral failures, no one really cares, and they have an easy life because they are a famous actress, musician, businessman, or politician. Hide behind success of a job, possessions, a good position. There are those who hide behind morality. I’m a good person, I am clean, I don’t use bad words, I live a good life, I keep my promises, I go to church, I volunteer at church at a food pantry or homeless shelter, I do good to those around me, my neighbors.

Hiding behind one’s morality. Hiding behind lies, lies about God that He is a God of love and when I mess up and sin, everything is fine, He is Love, there is no punishment for sins. Hiding in church. Hiding behind this crazy notion that if I go to church, then God will be pleased with me, and everything will be alright. That would be a hiding from reality of who God really is. Some know who God is moreso then these people, and so they hide from worship. That’s why we have Hebrews 10, “And let us consider how to stir up one another to love and good works, not neglecting to meet together, as is the habit of some, but encouraging one another (to meet together), and all the more as you see the Day drawing near.” We hide from worship, but also we Hide in worship, when we are hearing the preaching of the Word sometimes and it makes us uncomfortable (because God has pointed out our sin), and so you hide behind others.

You think to yourself, my wife, my kids, my husband or that family over there, they really need to hear this don’t they. You hide behind each other, when you should be concerned with your own soul and life. In many of thousands upon thousands of ways we hide from the Lord God. Where are you hiding from the Lord God? Those times in worship, when we hear the voice of the Lord going forth (just like in verse 8), His Word comes and pierces you in your soul and spirit, joints and marrow, His Word discerns the thoughts and intentions of your heart. You can’t hide from Him. No one can, not even the once perfect creatures Adam and Eve, they couldn’t hide from Him. God comes knowing who they are, where they’re from, what they’ve done; all the secrets are laid before the Lord and they want to hide. Before the Lord, our sin is unbearable.

The most popular passage that should come to our minds perhaps when thinking of this is Isaiah before the Lord, “Woe is me! For I am undone; for I am a man of unclean lips, and I dwell in the midst of a people of unclean lips; for my eyes have seen the King, the LORD of hosts!” There is great distress, increasing grief and regret over sin. He says literally, I am cut off, I am as good as dead. Why? Because he knew in that moment that God knew every single little spec about him, not just his body but even his thoughts and intentions of his heart God knowing your thoughts and intentions of your heart, think about that, and you’ll realize that Sin Makes the Presence of God Unbearable. Yet, notice that when comes to you, that He comes as a Savior speaking. He presents Himself, who was slain for His people, in their presence. And they don’t die immediately, the mercy and grace of God shine here.

They are not immediately judged to physical death, He gives them time. Time to hear the Gospel in verse 15, time to turn back to Him through His Son. But there is more mercy and grace He speaks not just words of judgment, but at least to Adam and Eve here in verses 7-13, He doesn’t come with the curses that He brings to the devil in verses 14 and 15. He comes and speaks with searching questions? He asks questions, and while Adam tries to hide behind Eve, and Eve tries to hide behind the devil; God is being gracious and merciful. When the Lord brings the Word through His servant, your elder(s), how do you hide? When He is speaking words of mercy and grace to you, where are you hiding from Him? Stop hiding, and turn to Jesus for salvation, for cleansing of sin, so you can go before the presence of God with boldness and confidence, before His very throne. Where and how are you hiding from Him?

Thursday, September 22, 2011

The Problem with Pietism


It commends a half-religion, which is another name for idolatry and paganism
The big problem with pietism is simply that it is only a half-faith. It tries to receive God's promises as from the Almighty, and yet it does not receive God's commands as from the Almighty.

So pietism is a half-faith in a half-God that leads to a half-Christian life. The problem with that is that the Bible tells us that half-faith is false religion, and that a half-God is actually and idolatrous caricature and not the true and living God, and half-obedience is disobedience.

It contradicts the most basic Scriptural teaching about the Christian life
When we learn that 1Cor 10:31 intentionally uses the most mundane things--eating and drinking--to instruct us in what the divinely blessed life is, then we are prepared to brush teeth, sweep floors, and yes proclaim the gospel and sing praise... all to the glory of God.

It contradicts the most basic elements of what we confess Scripture to teach
Our catechism's first question and answer encapsulate this well: the chief end of man is to glorify God and enjoy Him forever. This is not just our "primary purpose" as some contemporary wordings have tried to say it. It is the "controlling purpose"--the chief that commands the purpose--in absolutely everything that we do.

So, God has not given us a single thing to do, except that it must be done unto His glory. And, God has not given us a single thing to do, except that we must do it in enjoyment of Him.

It confuses poor theology students into downplaying the importance of exercises of piety
Now, please be cautious. Do not throw out biblical piety--and a strong devotion to the exercises of piety--as you reject an unbiblical pietism. There is hardly anything that God commands more than the exercises of piety. The first four commandments--and especially the first and the fourth--strongly stress this piety.

Communion with God continually and daily and weekly, in the assembly and family and privately, are everywhere commanded in the Bible. If these are not the life-breath of our existence, and the hinges upon which our days and weeks and lives turn, then we shall not be pious in any activity whatsoever.

Monday, December 13, 2010

Sensual Worship — A Sign of Impending Apostasy

Sensual Worship - A Sign of Impending Apostasy by Iain Murray

When interest in the churches begins to centre round the visual and the sensual it is commonly a sign of impending apostasy. By ‘sensual’ I mean that which appeals to the senses of man (sight, smell, hearing), as opposed to ‘spirit’, that is, the capacity that belongs to those born of the Spirit of God. Hence the antithesis, ‘sensual, having not the Spirit’ (Jude 19). ‘Sensual’ is also translated ‘natural’ or ‘worldly’; the meaning is the same. It does not take regeneration to give the sensual or the aesthetic a religious appeal to the natural man or woman.

In the Old Testament the people of God were in measure taught by their senses as God imposed the form of worship. As a check against any misuse of that means of teaching no additions to or subtractions from it were allowed. But with the finished work of Christ, and the coming of the Holy Spirit, a momentous change took place. The church was raised to the higher privilege of worship in ‘spirit and truth’ (John 4:24). She belongs to the ‘Jerusalem which is above’ (Gal. 4:26).

In the words of John Owen, ‘the naked simplicity of gospel institutions’ was established in the place of ‘the old, glorious worship of the temple’; Levitical choirs, incense, vestments, etc. — all were gone. Yet not gone permanently; for as church and world gradually came together in the rise of the Papacy, worship that appealed to the senses was reintroduced. Presuming on Old Testament practice, what the gospel had ended in the apostolic age was restored, and the difference brought in by Pentecost disappeared.1 Instead there developed a form of worship in Roman Catholicism which made impressions on the senses at the natural level and which did not need the Holy Spirit.

In the words of Richard Bennett, long a Roman priest, ‘The ritual, symbolical richness of the sacramental life of the Church, to a great extent, meets the human need for transcendence.’2 It does no more than that. The observation of W. H. Griffith Thomas, writing on ‘Spiritual Worship’, is true:
It is the universal experience of Christian people that the more the senses are attracted, fascinated, and occupied, the less room there is for the action of the soul. The teaching of Christian History points very clearly to the fact that simplicity of outward ceremonial has been usually unaccompanied by the reality of the inward spirit of worship.3
This is where the neglect of church history and Scripture has serious consequences for many contemporary evangelical churches. In the 1960s, at a time when the churches were losing their hold on young people, it was believed that a new way of renewing contact with them was to be learned from the contemporary culture. Music appeals to all, and why not make use of the new style of music and accompaniments which had become so popular? After all, music has to be neutral, so why not make it an ally?4 Some put it more strongly. James Ryle ‘prophesied’ that ‘God is getting ready to anoint Christian musicians with the same anointing that was given to the Beatles’, and he attributed to God the words, ‘I had a purpose, and the purpose was to usher in the charismatic renewal with music revival around the world.’5

Few warning voices were to be heard. Martyn Lloyd-Jones was almost alone in the 1960s in England when he warned against ‘the increasing tendency at the present time’ to use music to produce emotion; the justification being that music can make people happy, and when people feel happy they will find Christianity more acceptable. When an older generation sometimes expressed misgivings at the change this thinking had brought into public worship, they were told not to put their wishes before those of the outsiders whom the church needed to win. Few saw the danger pinpointed by Lloyd-Jones: the impression of music on natural feelings was being confused with spiritual truth: ‘Because it [music] is performed in connection with a religious service or by Christians, people imagine and persuade themselves that they are feeling the truth. But they are not. This feeling has no direct connection with what they have believed.’6

With this new departure came a flood of musical innovations into evangelical churches worldwide. The instruments of the old temple worship, as well as others, were restored, and with ‘music teams’, ‘music directors’, public worship has undergone a transformation.

It would be a mistake to say the change has come simply from the initiative of evangelicals. The Roman Catholic Church is no less involved, and in her case the new thinking was not new at all. It was under the Papacy, in the later Middle Ages, that the Church first commonly took up the use of instrumental music. At the time of the Reformation, Erasmus complained of the Roman Church:
We have brought into our churches a certain operose and theatrical music . . . as I think was ever heard in any of the Grecian or Roman theatres. The Church rings with the noise of trumpets, pipes and dulcimers; and human voices strive to bear their part with them . . . Men run to church as to a theatre, to have their ears tickled.7
The Reformers rejected the paraphernalia of musical accompaniments, not because they did not appreciate the place of congregational song in the worship of God but, on the contrary, because they wanted its restoration to New Testament simplicity. In the words of Calvin: ‘In gospel times we must not have recourse to these, unless we wish to destroy the evangelical perfection, and to obscure the meridian light which we enjoy in Christ.’8 Far from having any right to claim the support of Scripture for what Rome had introduced, he further says: ‘Now that Christ has appeared, and the church has reached full age, it were only to bury the light of the gospel, should we introduce the shadows of a departed dispensation.’9

The Church of Rome, in her apostasy, has long exhibited the full outworking of the danger which evangelicalism has been ignoring. But sometimes protest coming from an unexpected quarter broke the silence. Richard Bennett, after finishing his education at the Angelicum University of Rome, served as a priest in Trinidad. In all his years there, he writes, Protestant Christians from overseas sometimes came to services,
saw our sacred oils, holy water, medals, statues, vestments, rituals, and never said a word! The marvellous style, symbolism, music, and artistic taste of the Roman Church were all very captivating. Incense not only smells pungent, but to the mind it spells mystery. One day, a woman challenged me (the only Christian ever to challenge me in all my twenty-two years as a priest), 'You Roman Catholics have a form of godliness, but you deny its power.' Those words bothered me for some time because the lights, banners, folk music, guitars and drums were dear to me. Clearly I was unable to apply the Scripture to my life where it mattered most.10
The change in public worship in evangelical churches is not the harmless thing it is thought to be. ‘So long as there is good preaching’, it is said, ‘we need not be overly concerned.’ We ought to be concerned! An appetite is being fed which in the past has led to the very abandonment of the gospel. When satisfying the ‘natural’ becomes acceptable in churches, the spiritual will not long remain. As the long-time Catholic, and later Protestant martyr, Hugh Latimer, warned, ‘When candles go up, preaching comes down.’

That music has great prominence in modern society is not in doubt. Nor is it the first time that such attention has been given to music in periods of decadence. Horatius Bonar noted:
In connection with the 'decline and fall' of the Roman Empire, a singular fact has been recorded. — When the arts were declining, — poetry, sculpture, painting, deteriorating, — religion and patriotism decaying, — music was cultivated to an extraordinary extent. Old Romans died music-mad.11
Accommodating the churches to contemporary culture may increase numbers (for a time); it has never led to a spiritual awakening. Unless there is a God-given change, it is to be feared that we will see in evangelicalism a developing apostasy.



Notes:

1. ‘Dislike of the purity and simplicity of the gospel worship is that which was the rise of, and gave increase or progress unto the whole Roman apostasy. Men do not like the plain institutions of Christ, but are pleased with the meretricious Roman paint, wherewith so great a part of the world hath been beguiled and infatuated.’ John Owen, Works, 20:114-5, also identified as his Exposition of Hebrew, vol. 4 in the Goold/Banner of Truth edition. Likewise he argues that what was being addressed in the Epistle to the Hebrews was the temptation of professing Christians to regret the loss of the visual glory of Judaism. Owen’s Nature and Causes of Apostasy from the Gospel, in his Works, vol. 7, is unsurpassed as a treatment of the subject.

2. Richard Bennett, Catholicism: East of Eden (Edinburgh: Banner of Truth, 2010), p. 44.

3. W. H. Griffith Thomas, The Catholic Faith, A Manual of Instruction for Members of the Church of England (London: Church Book Room Press, 1955), p. 147.

4. That music is ‘neutral’ is by no means always true. ‘Since music should help the reception of the Word of God, it should be weighty, dignified, majestic and modest; fitting attitudes for sinful creatures in the presence of God’ (Calvin).

5. Quoted by John MacArthur, Charismatic Chaos (Grand Rapids: Zondervan, 1992), p. 72.

6. Living Water, Studies in John (Wheaton: Crossway, 2009), p. 365. He added: ‘If you start clapping your hands or stamping your feet or moving them in a rhythmic manner, you are the whole time dealing with this realm of the emotions. And there is a great deal of that today. Some even deliberately employ psychological methods — different coloured lights, for instance, to prey upon the emotions’ (p. 366).

7. Quoted by John L.Girardeau, Instrumental Music in the Public Worship of the Churc (Richmond, VA; 1888), p. 162. R. L. Dabney, reviewing and commending Girardeau’s book, made the same point as Dr Lloyd-Jones: ‘Blinded men are ever prone to imagine that they have religious feelings, because they have sensuous, animal feelings, in accidental juxtaposition with religious places, words, or sights. This is the pernicious mistake which has sealed up millions of self-deceived souls in hell.’ Dr Girardeau’s Instrumental Music in Public Worship, A Review (Richmond, VA: 1889), p. 8.

8. On 1 Samuel 18:1-9.

9. On Psalm 92:3, quoted by C. H. Spurgeon, whose church also used no instrumental accompaniment, The Treasury of David, vol. 4 (London; Marshall, Morgan, & Scott, 1950), p. 123. Many Protestant churches have used one instrument instead of a precentor to set the tune; this is very different from the instrumental accompaniment that is now promoted.

10. Catholicism: East of Eden, pp. 9-10.

11. Horatius Bonar, Our Ministry (Edinburgh: MacNiven 1883), p. 74.

Friday, May 7, 2010

Parody On The State Of Evangelicalism ("Sunday's Coming" Movie Trailer)

This is a sad video of the reality of a great deal of today's church.

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